Gordon Dahlquist’s second entry in the trilogy Glass Books of the Dream Eaters is out? almost out? in England, but not in the US for quite a spell, because I think we spoiled it, on a national level, by not being able to, you know, handle the girth. I’m ashamed. Nonetheless, he stopped by Neighborhood Public Radio to discuss, truly at my insistence, the role of allegory in his work, but it really was an excuse to play PiL (and others).
This moribund blog pressed into service coincidentally has the perfect entry from May 2004, a reflection on Neighborhood Public Radio. On my way to NYC to their installation at the Whitney Biennial I edited House of Zoka’s 2004 NPR appearance into a one-minute (and change) snapshot o, clearly an improvement, except you don’t hear the performance of The Public Toe Problem by Daniel Popsicle. You don’t need to. Just say it out loud and you can pretty much guess what it sounds like.
- the sound of the mysterious michael z softly respirating in that ocean that will not admit me
A CD from Neighborhood Public Radio arrived with the air check of House of Zoka speaking extemporaneously about documentation of the Bay Area’s creative new music scene.
We listened to it while enjoying fresh pieces of rockfish baked veracruz-style in a chipotle salsa, which, as I ate, seemed to be slightly more sophisticated in flavor than I really deserved, yet, there it was, or wasn’t, because I was inhaling it.
Listening to you and your partner talk while you and your partner sit in silence, eating randomly exquisite food, is odd. Then, as you might expect, as we listened to ourselves begin to disagree on some subject, and begin to talk over eachother, we took up the issue from the radio program and began to have the very same disagreement, talking over the talking over. It was like putting the stereo between two mirrors and watching the sound stretch into infinity.
I pulled a bone from my mouth and set it gingerly on the side of the plate.
We’re always careful with the tiny things that could take us out.