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DTSTART;TZID=America/Los_Angeles:20160211T210000
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DTSTAMP:20160104T031320Z
CREATED:20151115T043925Z
LAST-MODIFIED:20160104T031320Z
UID:10000054-1455224400-1455231600@sukiokane.com
SUMMARY:New Zombies
DESCRIPTION:Playing percussion in New Zombies\, the large ensemble dedicated to putting the avant garde compositions of Dan Plonsey into afrobeat arrangements\, celebrating our December marriage made in Saturn to International Freakout A Go Go\, this time with Benjamin Bracken joining the fray with Bobby Ganush and Special Lord B. \nDo. Not. Miss.
URL:https://sukiokane.com/event/new-zombies-ifagg-yesh/
LOCATION:Starline Social Club\, 645 West Grand Avenue\, Oakland
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DTSTART;TZID=America/Los_Angeles:20160220T150000
DTEND;TZID=America/Los_Angeles:20160220T190000
DTSTAMP:20160219T000727Z
CREATED:20160104T011202Z
LAST-MODIFIED:20160219T000727Z
UID:10000068-1455980400-1455994800@sukiokane.com
SUMMARY:Re:Sound Migration 2016
DESCRIPTION:Restaging Cordelia\, my composition for Erik Ehn‘s play for Theatre of Yugen (2011\, which casted Cordelia as a phantasmagorical Noh warrior) with four musicians and three performative filmmakers performing in an abandoned ammunition magazine as hundreds of thousands of birds pause briefly on their migration. \nI wrote the piece for a hyperlocal\, idiosyncratic Noh chorus and hayashi ensemble (Noh-bayashi 能囃子) of bass flute\, piccolo snare\, sruti box and voice. The Re:Sound edition focuses on two sources for the original composition: Peter Brook’s King Lear and that other dad\, and will be a work-in-progress showing of kono shimai tachi [ these sisters ]\, a multi-channel interpolation of two contemplations of young women: Shakespeare’s / Ehn’s Cordelia (King Lear) and Harper Lee’s Scout (To Kill A Mockingbird). \nThese separated literary characters met as while I was composing Yugen’s score\, creating a charged palette of text\, sound\, cinematic artifact and private anguish. In collaboration the Re:Sound ensemble\, Cordelia and Scout finally convene in a complex\, layered meditation. Monochromatic\, textured and distressed\, the film is built from recontextualized content and found footage. \nThe performers for Re:Sound: \n\nSteve Adams\, Bass Flute\nAlfonso Alvarez\, Performative Projection / Sruti Box\nDyemark\, Performative Projection / Sruti Box\nJohn Hanes\, Piccolo Snare\nDana Iova-Koga\, Movement\nShinichi Iova-Koga\, Movement\nKatherine McDonald\, Voice\n\nIt’s a two-day festival with a distinguished roster. I am grateful to be included. See it all.
URL:https://sukiokane.com/event/resound-migration/
LOCATION:Mare Island Shoreline Heritage Preserve\, Railroad Avenue and Mercado Court\, Vallejo
ORGANIZER;CN="Re%3ASound":MAILTO:info @
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DTSTART;TZID=America/Los_Angeles:20160223T200000
DTEND;TZID=America/Los_Angeles:20160223T220000
DTSTAMP:20160208T010840Z
CREATED:20160104T013333Z
LAST-MODIFIED:20160208T010840Z
UID:10000069-1456257600-1456264800@sukiokane.com
SUMMARY:Fushigi Kenkyūkai (不思議研究会) Electric Shadow Theater
DESCRIPTION:Finally joining the fray of Joe Lasqo’s film-music project and paranormal research society… or is that the other way around? Expect the concert bass drum. \nAdvance tickets here.
URL:https://sukiokane.com/event/fushigi-kenkyukai-%e4%b8%8d%e6%80%9d%e8%ad%b0%e7%a0%94%e7%a9%b6%e4%bc%9a-electric-shadow-theater/
LOCATION:PianoFight\, 144 Taylor Street\, San Francisco\, 94102
ORGANIZER;CN="PianoFight":MAILTO:infotron @
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